Description
The 1940s output of Aaron Copland is some of the most “American-sounding” music in the entirety of the classical oeuvre. The works Copland produced during this decade, from Appalachian Spring to Fanfare for the Common Man to Rodeo, have become touchstones for American classical music, earning him the sobriquet of “Dean of American Composers.” These compositions will be examined and discussed in this presentation, with recordings, video excerpts, and maybe even a bit of live performance from the presenter himself.
